Film Review - In Broad Daylight (2023)

In Broad Daylight, organised institutions specialising in of private extended care home-patients are under the spotlight in this deeply unnerving, high-quality drama based on true incidences and reports.

Fabulous Jennifer Yu as investigative journalist Kay, goes deep undercover posing as the granddaughter of a long term resident whilst observing suspect activities going on around the establishment.

Atrocities of abuse are revealed slowly but surely, escalating into a serious court case for those in charge taking advantage of individuals in care with accessible needs, developmentally delayed or the elderly.

All are vulnerable with little way of resistance, so Kay takes in upon herself, despite initial reservations from her news paper editor to hold back, gathering evidence to nail the sneaky irresponsible culprits.

Initially Kay’s extensive motives are those of striving for a story dedicated to her work , but soon she becomes close to certain patients knowing that society may have failed these people, whilst the situation is not an isolated case, it’s sadly happening all over with genuine reports being filed in numerous care facilities.

Leading a showcase of strong performances is Jennifer Yu (Shadows, Far Far Away) on fire as Kay, a jaded not far from still rookie journalist who wants the scoop, but also cares, crosses the line of empathy whicj threatens credibility from her bosses and public scrutiny. The modern state of reporting is not clear as explored in this film.

Henick Chou as Ming is heartbreakingly flawless, I was enamoured by her performance.

Charm Man Chan is dynamic, as is iconic Chinese veteran actor David Chiang as Mr. Tong; the faux grandfather of Kay or knows she’s not related but his protests are dismissed due to memory deterioration, they still strike up a nice bond throughput.

Heavy as it may be, In Broad Daylight is essential viewing, uncomfortable without doubt, although eye-opening enough to stay in your mind for quite some time.